Looking for a quality studio console for your hard disk & midi production suite??.. Everyone talks about Mackie, Soundcraft (& Spirit), Behringer etc... the most common 'home-project' studio mixers. - But how about a bit of class! - a Midas console, world renowned amongst live consoles and used by top-end live system the world over... They now got these 3 juicey 'Midas-Venice' budget live consoles for less that £3k (UKP), and these boards are super-made and ideal for the type of studio work we do, where multiple inputs and quality EQ & routing/aux's are more important that multiple sub-group outs for running dedicated big-multitrack feeds... so all this Venice series have 4 subgroups, ideal for routing to our pc/mac audio IN's as dedicated feeds - check it out !!... take a look at the spec's and checkout the large detailed image to see the features and quality - Yup a REAL Midas can be yours !!......
This is the 24/4 channel version Model: Venice 240, costing about 2200 UKP from Thomann.de etc... a superb console and you get top continuing support from Midas wherever you are worldwide!...
Download a high-res' zipped image of the 240 (24/4 mixer) - 660kb - download
MIDAS VENICE SERIES PERFORMANCE SPECIFICATIONS
| Features and Specifications | Venice 160 | Venice 240 | Venice 320 |
| Inputs (total) | 30 | 38 | 46 |
| Mono-Inputs (Mic/Line) with Inserts | 8 | 16 | 24 |
| Stereo-Line/Mono-Mic-Input Channels | 4/4 | 4/4 | 4/4 |
| Stereo-Effect-Returns (Line) | 4 | 4 | 4 |
| Stereo-Tape-Return (Line) | | 1 left/right | |
| Busses | | 15 | |
| Subgroups | | 4 | |
| Aux Pre-Fader (Monitor) | | 2 | |
| Aux Post-Fader (Effects) | | 2 | |
| Aux switchable Pre/Post-Fader | | 2 | |
| Master L/R | | 2 | |
| Mono-PFL | | 1 | |
| Stereo-AFL | | 2 | |
| Outputs | | | |
| Subgroups (with Inserts) | 4 impedanced balanced 1/4 inch jacks |
| Aux Pre-Fader (Monitor) | | 2 XLR (balanced) | |
| Aux Post-Fader (Effects) | 2 impedanced balanced 1/4 inch jacks |
| Aux switchable Pre/Post-Fader | | 2 XLR (balanced) | |
| Master (with Inserts) | | 2 XLR (balanced) | |
| Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader) | | 2 XLR (balanced) | |
| Tape Send (Recording) | | 1 Stereo (Phono) | |
| Direct Outputs (1/4 inch Jack) | 8 | 16 | 24 |
| Stereo-Headphones | 2 Stereo-1/4 inch jack |
| Stereo-Speakers | 2 impedanced balanced 1/4 inch jacks |
| Additional Features | | | |
| Connector for desk lamps | 2 x 12V/5W (4-Pin XLR) |
| 19“-rack-mounting- kit, | yes | - | - |
| rotatable connector panel | yes | - | - |
| Accesories |
Dust Cover (included)
12 V Desk Lamp (not included)
Input Transformer (not included)
|
| Technical Data | | | |
| Input Impedance | | | |
| | Mic | 2 OhmBalanced |
| | Line | 20 Ohm Balanced |
| Input Gain | | | |
| | Mic | Continuously variable 0dB to +60dB |
| | Line | (Mono Channell) Continuously variable -20dB to +40dB |
| | Line | (Stereo Channel) Continuously variable -10dB to +20dB |
| | Line Level Inputs | | 0dB | |
| Maximum Input Level | | | |
| | Microphone and Line | | +22dBu | |
| | Line Level Inputs (Mono) | | +42dBu | |
| | Line Level Inputs (Stereo) | | +22dBu | |
| CMR at 1kHz | | | |
| | Mic (Gain +30dB) | | > 80dB | |
| | Line | | > 40dB | |
| CMR at 100Hz | | | |
| | Mic (Gain +30dB) | | 70dB typical | |
| Frequency Response (20Hz-20kHz) | | | |
| | Mic to Mix (Gain +60dB) | | + 0dB to -1dB | |
| Noise (20Hz-20kHz) | | | |
| | Mic EIN ref. 150gain +60dB | | -129dBu | |
| | Mic EIN ref. 150gain 0dB | | -107dBu | |
| System Noise (20Hz-20kHz) | | | |
| | Summing Noise (12 channels routed, faders down) | | -90dBu | |
| | Line to Mix Noise (12 channels routet at 0dB) | | -84dBu | |
| Distortion at 1kHz | | | |
| | Mic to Insert (+30dB Gain. +20dBu Output) | | Typ 0,0007% | |
| | Mic to Master (+30dB Gain, +20dBu Output) | | < 0,009% | |
| Crosstalk at 1kHz | | | |
| | Channel to Channel | | < -80dB | |
| | Mix to Mix | | < -80dB | |
| | Channel to Mix | | < -80dB | |
| | Fader Attenuation | | > 100dB | |
| | Switch Rejection | | > 100dB | |
| Output Impedance | | | |
| | Line Outputs | | 75 Ohm balanced | |
| | Headphones | | to drive 32 Ohm | |
| Maximum Output Level | | | |
| | Master Outputs | | +25dBu | |
| | Line Outputs | | +22dBu | |
| | Headphones | | +22dBu / 600 | |
| Nominal Signal Level | | | |
| | Microphone | | - 60dBu to 0dBu | |
| | Line | | 0dBu | |
| Equaliser Mono Channel | | | |
| | Hi Pass Filter | 2nd order Butterworth, 80Hz |
| | Treble | +/-15dB at 12kHz (Shelv) |
| | Hi Mid | Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB |
| | Lo Mid | Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB |
| | Bass | + /-15dB at 80Hz (Shelv) |
| Equaliser Stereo Channel | | | |
| | Treble | +/-15dB at 12kHz (Shelv) |
| | Hi Mid | 3kHz (1,4 Oct) +/-15dB |
| | Lo Mid | 300Hz (1,4 Oct) +/-15dB |
| | Bass | +/-15dB at 80Hz (Shelv) |
| Size (mm/inch) | | | |
| | Width | 490 / 19.3“ | 698 / 27.5“ | 906 / 35.7“ |
| | Depth | 568 / 22.4“ | 568 / 22.4“ | 568 / 22.4“ |
| | Heights | 194 / 7.6“ | 194 / 7.6“ | 194 / 7.6“ |
| Weight (kg/lb) | | | |
| | 16,4 / 36.2 | 21,1/ 46.5 | 25,8 / 56.9 |
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