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Subject: sampler as drum machine?


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Original Message                 Date: 08-Aug-98  @  08:20 AM   -   sampler as drum machine?

buggo

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i've tried using the signum s/w jobbie as a drum machine, with my mc-300 sequencer...no dice. Is there any way on most samplers to get it to NOT pitch-shift a sample up and down the keyboard range? If, for example, my sequencer is programmed to play a kick drum on midi ch. 10 and the kick's note # is 35, then how do I get the sampler to play the kick sample, at the original pitch, no matter what note number it's at? Say I want to assign kick to 35, snare to 36, open hat to 37, closed hat to 38, etc........can I get a sampler just to play the samples without pitch shifting 'em? GRR!!

(Not just on the Signum thingy...I need to know if I can do this on hardware units, such as Emax or DSM-1, that are good for drums. While we're at it, what would you all suggest as a decent drum sampler for under $400? The emax, s550, DSM1, s900, etc. all seem promising...real-world tips anyone?)




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Message 41/55             30-Aug-98  @  11:05 PM   -   RE: sampler as drum machine?

Dan S.

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I'm thinking about buying a akai s950 for drummachine-duties and other things. They can be had rather cheap in Sweden, which isn't too usual here.
Has someone used and is able to give me the lowdown?
I can't seem to find anything about on the web...



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Message 42/55             01-Sep-98  @  09:14 AM   -   RE: sampler as drum machine?

bill

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sedusa/influx....

just a question or two about the emax's routing to the 8 outs....

i set up two patches - one drum set with a kick and a snare and one bass preset - simple organ-y bass with a flat envelope. i assigned each one to a midi channel (9 and 10) and then i want each one coming out of a channel out ......

so in preset definition/edit assigment i set the kick and snare voices to channel 1>1 (which sends it out of channel 1 i think) and the bass preset to channel 2>2. and no problems, it works fine.....

HOWEVER, when i try and play a two/three note chord on the bass patch it goes monophonic on the indie out (channel 2) but still sounds poly on the main l/r output. the same happens if i try and play the kick and the snare at the same time on channel 1 - but sounds fine on the l/r....

the only thing that i thought it could be was that i was setting up the channel-assignment wrong - am i somehow limiting the polyphony on the individual outs?

in short, how do you set up a multi-timbral setup with each preset on indie outputs, and the presets able to play polyphonically? (sorry, i don't have a manual for it...)



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Message 43/55             01-Sep-98  @  09:53 AM   -   Piccy for Buggo

Richie

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The EMAX II in all it's glory.




Hope that worked...



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Message 44/55             01-Sep-98  @  09:55 AM   -   RE: sampler as drum machine?

Richie

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Shit I'm a dumb ass!!

You wanted the rack did'nt you...



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Message 45/55             02-Sep-98  @  05:52 PM   -   RE: sampler as drum machine?

influx

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Bill-I havent gotten that far yet, unfortunately. Sedusa otta be able to help if he feels like it!  Also, check emus "links" section, or here as well I think, for an Emax user group. Not sure about the address for the newsgroup, but emu is emu.com (duh )



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Message 46/55             02-Sep-98  @  06:19 PM   -   RE: sampler as drum machine?

nomad

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about the emax indie outs....like many of the early
samplers, each indie out is monophonic. so if you want
two notes, you need to set 1>2 or something like that,
and send those two outputs to your mixer. just the way
it is....at least from what i remember of my emax
long ago....



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Message 47/55             03-Sep-98  @  01:47 AM   -   RE: sampler as drum machine?

buggo

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yeah, i knew about the emax monophonic indie outs....that's fine with me because all I want is to be able to add a little distortion or compression or something (plus EQ!) to individual sounds...bass drum, snare, hats...but i do have a question:

how deep is the emax rack? I'm buying a rack to hold all my shit and the local shop makes 'em and sells 'em (real nice quality racks, too!) in various depths. I'm looking at one that's maybe 16 inches deep, but I am pretty much definitely getting the emax at some point and i'll need to know how deep it is!

also, how do you handle things like the emax, which is big and heavy, on top of, say, an FX unit in the rack? Seems as tho you ought to stack them from deepest to shallowest so they all support each other and there is more holding units in place that just the screws on the rack ears..but how do you guys do it? (they sell rack shelves at the shop for some ridiculous price like $20...)



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Message 48/55             03-Sep-98  @  09:21 AM   -   RE: sampler as drum machine?

bill

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nomad - wicked - that's kind of what i guessed would happen. so you reckon that if i'm playing two-note chords then i'll need to run two indie outs and set up the channels identically.

AND - that's why the drums were cutting out - i had the kick and the snare both going through indie-out 1 and whenever they coincided they cut out because the outs were monphonic..... smart huh? so buggo, if you don't fuck up your routing like i did, all should be good.

anyone know what dynamic allocation does?



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Message 49/55             03-Sep-98  @  09:39 AM   -   RE: sampler as drum machine?

bill

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one last thing. emu seem to like naming their samplers after models of ford cars - or vice versa maybe. like seacrh for an emax and you get ford sierras, search for esi and you get escorts.....

thought it had to be mentioned.....



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Message 50/55             03-Sep-98  @  05:36 PM   -   RE: sampler as drum machine?

nomad

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well the emax is pretty big....3 rack spaces and
as deep as they come. mine was an HD model though.
pretty heavy too. there are probably actual
specs on the emax site...nope, can't find them.
it was about the same depth as my mks70, ex8000,
prophet 3000, and i think the tx81z too (it's pretty
deep isn't it?) i don't think they get much deeper
than that....

i don't own a rack so I stack all my rack gear (about
4 pieces). works OK for me. the fx sit on top of them.
you can run into heat problems this way though if you
aren't careful, in a rack you can separate things
if necessary, or alternate deep/shallow for heat
dissipation purposes. my mks70 gets VERY hot (12 analog
voices, what do you expect?), as does my prophet 3000.
the tx81z does not get hot at all   i imagine the
emax may get hot as well, although there is more space
in there, so maybe it's ok.

about dynamic allocation...in relation to what?
all it means is that it just picks whatever, usually
voices. so if you say "preset 1 goes to voices 3-4"
that's fixed allocation - it can ONLY play that
preset on voices 3-4, even if nothing else is playing.
usually for indie outs. dynamic means it just picks
an available voice and uses it. nothing more complicated
than that.



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