Forums - Computer music & technology
Subject: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
Original Message 1/13 28-Jul-01 @ 11:52 PM - YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
that's why you big boys don't get it when us little ones give up because we're too stupid to figure it out! because it can't be done! hahahahahahaha!!!!!
steve - maybe you want to see about getting your logic upgraded - apparently there are a number of features absent from silver on down..
i've had my moment of glory now. yes, i really was suffering, and nobody cared or tried to understand ;)
anyway. if you've got logic 'composer,' or another non-mega version, you *can* use hyperdraw for your controllers.. just set it up for pan or vol then cable it to a new fader which converts the data to the desired cc# before it reaches your instrument.
pretty simple but DAMNED CONFUSING when everyone thinks you're crazy and stupid.
cool! now i can write! (except for my hyper editor velocities..)
Message 2/13 29-Jul-01 @ 07:28 AM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
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I had an idea for a script once. It's basically Jaws except when the guys in the boat are going after Jaws, they look around and there's an even bigger Jaws. The guys have to team up with Jaws to get Bigger Jaws.... I call it... Big Jaws!!!
Message 3/13 29-Jul-01 @ 04:51 PM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
hyperedit could be a real solution.. after all.. you can always just erase and do it again. it's more the frustration of not finding the facility i anticipated
anyway.. here's how to do it.. you can actually set up as many hyperDRAW faders as you like for an instrument.. like i said up top, you need to cable each one going into a second fader that converts the cc.. but i need to add that your hyperdraw fader needs to be on a DIFFERENT midi channel.
for instance, i have my nordlead on channel 7.. i set up a fader for hyperdraw and leave it on the default channel 1 and set my intermediate fader to convert "in" ch#1 cc#7 to "out" ch#7 cc#74 say for cutoff.
what is cool is that you can set up duplicates.. ie. set up a second fader say for osc 2 semitone (cc#78) and your 'hyperdraw' fader can still be on ch#1 cc#7 and won't affect the other hyperdraw fader also configured as ch#1 cc#7 btw this arrangement won't work if you have both 'hyperdraw' and 'conversion' faders on the same channel!!!! i found that out by myself
somewhere on the oscwilde logic site there's an article on the features that were cut below gold.. worth seeking out if you're about to make a purchase
shit, i tell you though. it's good to be coming through the "yes!" side on this one.. and this program does audio too??
Message 4/13 30-Jul-01 @ 12:39 AM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
I noticed on emagics logic audio comparison chart that certain features were missing in silver but were named cryptically enough for you to not actually understand what was missing until you`d bought the thing and gotten you head round it.
Dunno what the uk price for the upgrade is, but at musicians gear they want 166 of her majesties finest so bugger that fro a game of soldiers, silver only cost 140 outright.
Its still pretty amazing tho even as it stands - looking here at the back of the box, you can build a 16 step sequencer using the environment thing so that might be fun, just a shame its not as straightforward as the other 2.
Message 5/13 30-Jul-01 @ 10:50 PM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
well i couldn't save you in time this time. i must be off to look for more people to save. i mean store.
Message 6/13 31-Jul-01 @ 04:18 AM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
MIDI THRU:
i quote: "by now you should have realised that incoming midi data is always relayed 'thru' the instrument currently selected."
this means that if i audition my bass (on ch. 9) it will also play my lead (on ch.7) if that was the last midi track selected.
"click on window background to deselect all sequences (thus shutting off midi thru)"
except it doesn't work. i have to create a dummy track with a dummy instrument routed to nowhere to be able to audition a patch w/o playing my last patch at the same time. this is suckage. all these frigging little jury rigs grgrggghhh.. okay, nice xoxos..
so.. anyone.. how do i kill midi thru??? i want to do this properly, not jury rigged!!!
the manual tells me i don't need to do this so it's always on they must be lying.
10 minutes before bedtime. time to check the drum map. please help if you can
Message 7/13 31-Jul-01 @ 04:15 PM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
___________________________________
I had an idea for a script once. It's basically Jaws except when the guys in the boat are going after Jaws, they look around and there's an even bigger Jaws. The guys have to team up with Jaws to get Bigger Jaws.... I call it... Big Jaws!!!
Message 8/13 01-Aug-01 @ 03:40 AM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
i was auditioning a new sound while sitll having an old instrument selected.. the trouble was that emagic's solution for turning off the midi thru doesn't work for me.. it says "click on window background" and it simply doesn't work.
so if i want to do this, i can either get in the habit of creating new tracks to audition on or use a dummy track that thrus to nothing.. so taj mahal is out but i'm still covered.
Message 9/13 01-Aug-01 @ 04:21 AM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
___________________________________
I had an idea for a script once. It's basically Jaws except when the guys in the boat are going after Jaws, they look around and there's an even bigger Jaws. The guys have to team up with Jaws to get Bigger Jaws.... I call it... Big Jaws!!!
Message 10/13 02-Aug-01 @ 09:35 PM - RE: YESSSSS!!! LOGIC!!! HOW-TO FINALLY!
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